Difference between colour saturation / temperature

After completing the exercise about how exposure affects colour, I'm wondering whether or not I'm clear with concepts such as colour temperature or saturation.
I understand well how temperature is perceived as a whole in an image but not sure what is the difference between a saturated colour or temperature of colour.

Is a darker colour warmer? is it less/more saturated? I'm a bit confused here.

Here is the definition of colour saturation found on the webopedia:

"In graphics and imaging, color saturation is used to describe the intensity of color in the image. A saturated image has overly bright colors. Using a graphics editing program you can increase saturation on under-exposed images, or vise versa."

Here is the definition found on webopedia on colour temperature:

"Color temperature refers to a characterization of the spectral properties of a light source and is commonly used during the production phase in the film and photography industries. Low color temperature is the warmer, more yellow to red light while high color temperature is the colder, more blue light. Daylight, for example, has a lower color temperature near dawn and a higher one during the day. The standard unit of measurement for color temperature is Kelvin (K). Some typical color values include the following;
  • candles or oil lamps: 1000K
  • household light bulbs: 2500K
  • bright sunshine on a clear day: 6000K
  • very overcast sky: 10,000K
"

I'm not sure yet I understand the difference or relationship between a satured colour and its temperature.

A more satured colour would then be warmer?
A washed out colour colder?

That's where I now stand..

Exercise: Colours into tones in black and white

For this Exercise I've built a DIY lightbox (more info here). I've placed a green and a red pepper, a lemon and a blue plastic glass against a white background. Before arranging the still life I took a shot of the white background and set it to my custom in-camera white balance.

I've used natural daylight, set up my tripod and in aperture priority mode with a f/16 aperture. I've also used a remote release to minimise any camera movement. 


Here's the setup:





Original shot:

50mm, f/16, 0.25s, +1 ev, ISO 100

I then used Picnik to process the file as Photoshop wasn't available to me. I've simply used the black and white filter for this next shot.
Black and white, no filter:



Black and white, yellow filter (I eye picked in picnik a yellow that seemed yellow to my eye):


Although the effect is not so obvious, the yellow lemon appears lighter and the whole image too.

Now, I'll try with the red filter:

Black and white, red filter:


I'm surprised at the result here, although the red pepper appearing lighter was expected I don't really understand why the lemon appears a lot lighter than with the yellow filter.

Black and white, Blue filter:


Blue appears lighter as expected, other colours appear darker, making the lemon almost in the same tone as the blue glass and both peppers look as if they were ion the same tone too.

Black and white, green filter:


The green pepper does look a bit lighter here but the effect is more noticeable on the red pepper appearing darker and the lemon appearing lighter but with more contrast.

I believe the choice of the original colours influences the effect of the filters. It would also be interesting finding out how using the photoshop filters could make a difference.

Exercise: Colour relationships

Combination of primary and secondary colours



1) Red / Green = 1:1



2) Orange / Blue = 1:2





3) Yellow / Violet = 1:3


3 photos of combination I choose appealing


I realised quickly that most of my pictures have never really been colour oriented so I looked into the few ones that did contain colours as part of the interest.






This Picture is more difficult to analyse. Many colours come to mind: Yellow, Blue, Red, green and shades of all of them. They all stand out against the grey, white snow around. It's appealing in some way and at the same time a bit disturbing. Overall, I think it makes it interesting



This Street scene would certainly not look appealing at all without the contrast between Blue and Orange. Giving a bit of life to this otherwise very grey scenery.



Although I agree one can argue it isn't the most appealing scene Colour does help to improve it, the red light and the blue trash add something to the picture despite it's unattractiveness.



Exercise: Primary and secondary colours

Photos of primary and secondary colours


6 photo x 3 manual exposure, for each photo  make  -1/2, 0, +1/2 stop.


To make things easier I used simple coloured objects against a seamless white background using my DIY lightbox




Yellow

50mm, f/2.8, ISO 100, O EV



Green

Canon EOS 50D
50 mm, 1/250s, f/2.8, ISO 100, +1/2 EV


Canon EOS 50D


50 mm, 1/500s, f/2.8, ISO 100, 0 EV
Canon EOS 50D


50 mm, 1/500s, f/2.8, ISO 100, -1/2 EV

Orange:

Canon EOS 50D


50 mm, 1/3000s, f/2.0, ISO 100, +1/2 EV

Canon EOS 50D


50 mm, 1/4000s, f/2.0, ISO 100, 0 EV

Canon EOS 50D


50 mm, 1/6000s, f/2.0, ISO 100, -1/2 EV


Blue
Canon EOS 50D


50 mm, 1/15s, f/16.0, ISO 100, +1/2 EV

Canon EOS 50D


50 mm, 1/20s, f/16.0, ISO 100, 0 EV

Canon EOS 50D


50 mm, 1/20s, f/16.0, ISO 100, -1/2 EV
Red

Canon EOS 50D


50 mm, 1/6s, f/16.0, ISO 100, +1 EV
Canon EOS 50D


50 mm, 1/20s, f/16.0, ISO 100, +1/2 EV

Canon EOS 50D


50 mm, 1/30s, f/16.0, ISO 100, 0 EV

Canon EOS 50D


50 mm, 1/45s, f/16.0, ISO 100, -1/2 EV
Blue

Canon EOS 50D


50 mm, 1/8s, f/16.0, ISO 100, +1 EV

Canon EOS 50D


50 mm, 1/10s, f/16.0, ISO 100, +1/2 EV

Canon EOS 50D


50 mm, 1/15s, f/16.0, ISO 100, 0 EV

Canon EOS 50D


50 mm, 1/20s, f/16.0, ISO 100, -1/2 EV
Yellow

Canon EOS 50D


50 mm, 1/10s, f/16.0, ISO 100, +1 EV

Canon EOS 50D


50 mm, 1/15s, f/16.0, ISO 100, +1/2 EV

Canon EOS 50D


50 mm, 1/30s, f/16.0, ISO 100, -1/2 EV




After analysing each exposures with each colour the effect of exposure is clearly affecting colour, and differently for each of them.


I think keeping these images as a reference to help anticipate the effect of exposure when mixing colours would be useful. Although the test would probably be best done under strict conditions like similar lighting conditions, Accurate white balance, etc ..